STA020_10 [STMICROELECTRONICS]

96kHz DIGITAL AUDIO INTERFACE TRANSMITTER; 96kHz的数字音频接口发射器
STA020_10
型号: STA020_10
厂家: ST    ST
描述:

96kHz DIGITAL AUDIO INTERFACE TRANSMITTER
96kHz的数字音频接口发射器

文件: 总14页 (文件大小:214K)
中文:  中文翻译
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STA020  
96kHz DIGITAL AUDIO INTERFACE TRANSMITTER  
„ MONOLITHIC DIGITAL AUDIO INTERFACE  
TRANSMITTER  
„ 3.3V SUPPLY VOLTAGE  
„ SUPPORTS:  
– AES/EBU, IEC 958,  
– S/PDIF, & EIAJ CP-340  
– Professional and Consumer Formats  
SO24  
ORDERING NUMBER: STA020D  
„ PARITY BITS AND CRC CODES  
GENERATED  
„ TRANSPARENT MODE ALLOWS DIRECT  
CONNECTION OF STA020D AND STA120  
DESCRIPTION  
The STA020D is a monolithic CMOS device which  
encodes and transmits audio data according to the  
AES/EBU, IEC 958, S/PDIF, & EIAJ CP-340 inter-  
face standards. It supports 96kHz sample rate op-  
eration  
ble of spporting a wide variety of formats.  
The STA020D accepts audio and digital data  
which is then multiplexed, encoded and driven  
onto a cable.  
The STA020D multiplexes the channel, user, and  
validity data directly from serial input pins with  
dedicated input pins for the most important chan-  
nel status bits.  
The audio serial port is double buffered and capa-  
BLOCK DIAGRAM  
M0  
1  
M2  
VD+  
19  
GND  
18  
MCK  
RST  
16  
23  
22  
21  
5
6
7
8
SCK  
FSYNC  
SDA  
AUDIO  
SERIAL PORT  
REGISTERS  
20  
17  
TXP  
TXN  
MUX  
DIFFERENTIAL  
10  
11  
9
C
U
V
7
15  
24  
TRNPT  
D97AU599A  
DEDICATED CHANNEL CBL  
STATUS BUS  
April 2010  
1/14  
STA020  
ABSOLUTE MAXIMUM RATINGS  
Symbol  
Parameter  
Value  
4
Unit  
V
VD+  
VIND  
Tamb  
Tstg  
DC Power Supply  
Digital Input Voltage  
-0.3 to VD+ 0.3  
-20 to +85  
-40 to 150  
V
Ambient Operating Temperature (power applied)  
Storage Temperature  
°C  
°C  
RECOMMENDED OPERATING CONDITIONS (GND = 0V; all voltages with respect to ground)  
Symbol  
VD+  
Parameter  
Test Condition  
Min.  
Typ.  
3.3  
25  
Max.  
3.6  
Unit  
V
DC Voltage  
Ambient Operating Temp.  
3
0
Tamb  
70  
°C  
PIN CONNECTIONS (Top view)  
C7/C3  
1
24  
23  
22  
21  
20  
19  
18  
17  
16  
15  
14  
13  
TRNPT/FC1  
PRO  
C1/FC0  
C6/C2  
MCK  
2
M0  
3
M1  
4
M2  
5
TXP  
SCK  
6
VD+  
FSYNC  
SDATA  
V
7
GND  
TXN  
8
9
RST  
C/SBF  
U
10  
11  
12  
CBL/SBC  
EM0/C9  
EM1/C8  
C9/C15  
D97AU608A  
PIN DESCRIPTION  
N°  
Pin  
Function  
Power Supply Connections  
18  
19  
GND  
VD+  
Ground.  
Positive Digital Power. Nominally +3.3V.  
Audio Input Interface  
SCK  
6
Serial Clock.  
Serial clock for SDATA pin which can be configured (via the M0, M1 and M2 pins) as an  
input or output and can sample data on the rising or falling edge.As an output, SCK will  
contain 32 clocks for every audio sample.  
2/14  
STA020  
PIN DESCRIPTION (continued)  
N°  
Pin  
Function  
7
FSYNC  
Frame Sync.  
Delineates the serial data and may indicate the particular channel, left or right and may be  
an input or output. The format is based on M0, M1 and M2 pins.  
8
SDATA  
Serial Data.  
Audio data serial input pin.  
21,  
22,23  
M0, M1, M2 Serial Port Mode Select.  
Selects the format of FSYNC and the sample edge of SCK with respect to SDATA.  
Control Pins  
1
C7/C3  
PRO  
Channel Status Bit 7/Channel Status Bit 3  
In professional mode, C7 is the inverse of channel status bit 7. In consumer mode, C3 is the  
inverse of channel status bit 3, C7/C3 are ignored in Transparent Mode.  
2
3
Professional/Consumer Select.  
Selects between professional mode (PRO low) and consumer mode (PRO high). This pin  
defines the functionality of the channel status parallel pins. PRO is ignored in Transparent  
Mode.  
C1/FC0  
Channel Status Bit 1/Frequency Control 0.  
In professional mode, C1 is the inverse of channel status bit 1. In consumer mode, FC0 and  
FC1 are encoded versions of channel status bits 24 and 25 (bits 0 and 1 of byte 3). When  
FC0 and FC1 are both high, CD mode is selected. C1/FC0 are ignored in Transparent  
Mode.  
4
9
C6/C2  
V
Channel Status Bit 6/Channel Status Bit 2.  
In professional mode, C6 is the inverse of channel status bit 6. In consumer mode, C2 is the  
inverse of channel status bit 2. C6/C2 are ignored in Transparent Mode  
Validity.  
Validity bit serial input port. This bit is defined as per the digital audio standards wherein V =  
0 signifies the audio signal is suitable for conversion to analog. V = 1 signifies the audio  
signal is not suitable for conversion to analog, i.e. invalid.  
10  
C/SBF  
Channel Status Serial Input/Subcode Frame Clock.  
In professional and consumer modes this pin is the channel status serial input port. In CD  
mode this pin inputs the CD subcode frame clock.  
11  
12  
U
User Bit.  
User bit serial input port.  
C9/C15  
Channel Status Bit 9/Channel Status Bit 15.  
In professional mode, C9 is the inverse of channel status bit 9 (bit 1 of byte 1). In consumer  
mode, C15 is the inverse of channel status bit 15 (bit 7 of byte 1). C9/C15 are ignored in  
Transparent Mode.  
13  
14  
EM1/C8  
EM0/C9  
Emphasis 1/Channel Status Bit 8.  
In professional mode, EM0 and EM1 encode channel status bits 2, 3 and 4. In consumer  
mode, C8 is the inverse of channel status bit 8 (bit 0 of byte 1). EM1/C8 are ignored in  
Transparent Mode.  
Emphasis 0/Channel Status Bit 9.  
In professional mode, EM0 and EM1 encode channel status bits 2, 3 and 4. In consumer  
mode, C9 is the inverse of channel status bit 9 (bit 1 of byte 1). EM0/C9 are ignored in  
Transparent Mode.  
15  
16  
CBL/SBC  
RST  
Channel Status Block Output/Subcode Bit Clock.  
In professional and consumer modes, the channel status block output is high for the first 15  
bytes of channel status. In CD mode, this pin outputs the subcode bit clock.  
Master Reset.  
When low, all internal counters are reset.  
3/14  
STA020  
PIN DESCRIPTION (continued)  
N°  
Pin  
Function  
24  
TRNPT/FC1 Transparent Mode/Frequency Control 1.  
In professional mode, setting TRNPT low selects normal operation & CBL is an output.  
Setting TRNPT high, allows the STA020D to be connected directly to an STA120. In  
transparent mode, CBL is an input & MCK must be at 256 Fs. In consumer mode, FC0 and  
FC1 are encoded versions of channel status bits 24 and 25. When FC0 and FC1 are both  
high, CD mode is selected.  
Transmitter Interface  
5
MCK  
Master Clock. Clock input at 128x the sample frequency which defines the transmit timing.  
In trasparent mode MCK must be 256 Fs.  
20, 17  
TXP, TXN  
Differential Line Drivers.  
DIGITAL CHARACTERISTICS (Tamb = 25°C; VD+ = 3.3V 10%)  
Symbol  
VIH  
Parameter  
High-Level Input Voltage  
Low-Level Input Voltage  
High-Level Output Voltage  
Low-Level Output Voltage  
Input Leakage Current  
Master Clock frequency  
Master Clock Duty Cycle  
Test Condition  
Min.  
2.0  
Typ.  
Max.  
VDD+0.3  
+0.8  
Unit  
V
VIL  
-0.3  
V
VOH  
VOL  
Iin  
IO = 200µA  
VDD-1.0  
V
IO = 3.2mA  
0.4  
10  
26  
60  
V
1.0  
A
MCK  
(Note 1)  
MHz  
%
(high time/cycle time)  
40  
Note 1: MCK must be 128x the input word rate, except in Transparent Mode where MCK is 256x the input word rate.  
Figure 1. STA020D Professional & Consumer Modes Typical Connection Diagram.  
EXTERNAL  
CLOCK  
+3.3V  
MCK  
VD+  
0.1µF  
FSYNC  
SCK  
GND  
5
19  
7
6
8
18  
24  
TRNPT  
AUDIO  
DATA  
PROCESSOR  
SDATA  
M0  
M1  
M2  
23  
22  
21  
CBL  
C
SERIAL PORT  
MODE SELECT  
15  
10  
11  
9
STA020  
µCONTROLLER  
or  
U
V
UNUSED  
TXP  
TXN  
20  
17  
RST  
16  
TRANSMITTER  
CIRCUIT  
CHANNEL  
STATUS BITS  
CONTROL  
8 DEDICATED C.S. BITS  
D97AU600A  
4/14  
STA020  
Figure 2. STA020D Typical Connection Diagram.  
EXTERNAL  
CLOCK  
+5V  
MCK  
VD+  
18  
0.1µF  
FSYNC  
SCK  
7
6
8
GND  
5
19  
AUDIO  
DATA  
PROCESSOR  
SDATA  
V
SBF  
U
M0  
M1  
M2  
9
23  
22  
21  
SERIAL PORT  
MODE SELECT  
DECODER  
SUBCODE  
PORT  
10  
11  
15  
SBC  
STA020  
TXP  
TXN  
20  
17  
RST  
RESET  
CONTROL  
16  
TRANSMITTER  
CIRCUIT  
CHANNEL  
STATUS BITS  
CONTROL  
8 DEDICATED C.S. BITS  
D99AU989A  
GENERAL DESCRIPTION  
The STA020D is a monolithic CMOS circuit that encodes and transmits audio and digital data according  
to the AES/EBU, IEC 958, S/PDIF, and EIAJ CP-340 interface standards. The chip accepts audio and con-  
trol data separately; multiplex and biphase-mark encode the data internally and drive it, directly or through  
a transformer, to a transmission line.  
The STA020D has dedicated pins for the most important control bits and a serial input port for the C, U  
and V bits.  
Line Drivers  
The differential line drivers for STA020D are low skew, low impedance, differential outputs capable of driv-  
ing 110Ohm transmission lines. (RS422 line driver compatible).  
They can also be disabled by resetting the device (RST = low).  
STA020D DESCRIPTION  
The STA020D accepts 16 to 24-bit audio samples through a serial port configured in one of seven formats;  
provides several pins dedicated to particular channel status bits and allows all channel status, user and  
validity bits to be serially input through port pins. This data is multiplexed, the parity bit is generated and  
the bit stream is biphase-mark encoded and driven through an RS422 line driver.  
The STA020D operates as a professional or consumer interface transmitter selectable by pin 2, PRO. As  
a professional interface device, the dedicated channel status input pins are defined according to the pro-  
fessional standard, and the CRC code (C.S. byte 23) can be internally generated.  
As a consumer device, the dedicated channel status input pins are defined according to the consumer  
standard. A submode provided under the consumer mode is compact disk, CD, mode. When transmitting  
data from a compact disk, the CD subcode port can accept CD subcode data, extract channel status in-  
5/14  
STA020  
formation from it, and transmit it as user data.  
The master clock , MCK, controls timing for the entire chip and must be 128xFs. As an example, if stereo  
data is input to the STA020D at 44.1kHz, MCK input must be 128 times that or 5.6448MHz.  
Audio Serial Port  
The audio serial port is used to enter audio data and consists of three pins: SCK, SDATA and FSYNC,  
SCK clocks in SDATA, which is double buffered, while FSYNC delineates the audio samples and may in-  
dicate the particular channel, left or right. To support many different interfaces, M2, M1 and M0 select one  
of seven different formats for the serial port. The coding is shown in Table 3 while the formats are shown  
in Figure 3.  
Format 0 and 1 are designed to interface with Crystal ADCs. Format 2 communicates with Motorola and  
TI DSPs. Format 3 is reserved. Format 4 is compatible with the I2S standard. Formats 5 and 6 make the  
STA020D look similar to existing 16- and 18-bit DACs and interpolation filters. Format 7 is an MSB-last  
format and is conducive to serial arithmetic. SCK and FSYNC are outputs in Format 0 and inputs in all  
other formats. In Format 2, the rising edge of FSYNC delineates samples and the falling edge must occur  
a minimum of one bit period before or after the rising edge. In all formats except 2, FSYNC contains left/  
right information requiring both edges of FSYNC to delineate samples. Formats 5 and 6 require a minimum  
of 16- or 18-bit audio words respectively. In all formats other than 5 and 6, the STA020D can accept any  
word length from 16 to 24 bits by adding leading zeros in format 7 and trailing zeros in the other formats,  
or by restricting the number of SCK periods between active edges of FSYNC to the sample word length.  
FSYNC must be derived from MCK, either through a DSP using the same clock or using counters. If  
SFYNC moves (jitters) with respect to MCK by four MCK periods, the internal counters and CBL may be  
reset.  
Table 1. Audio Port Modes  
M2  
0
M1  
0
M0  
0
Format  
0 - FSYNC & SCK Output  
1 - Left/Right, 16-24 Bits  
2 - Word Sync, 16-24 Bits  
3 - Reserved  
0
0
1
0
1
0
0
1
1
2
1
0
0
4 - Left/Right, I S Compatible  
1
1
1
0
1
1
1
0
1
5 - LSB Justified, 16 Bits  
6 - LSB Justified, 18 Bits  
7 - MSB Last, 16-24 Bits  
6/14  
STA020  
Figure 3. Audio Serial Port Formats.  
FORMAT 0:  
FSYNC(out)  
LEFT  
LEFT  
LEFT  
RIGHT  
RIGHT  
RIGHT  
SCK(out)  
SDATA(in)  
FORMAT 1:  
MSB  
MSB  
MSB  
LSB  
LSB  
LSB  
MSB  
MSB  
MSB  
LSB  
LSB  
LSB  
MSB  
MSB  
MSB  
FSYNC(in)  
SCK(in)  
SDATA(in)  
FORMAT 2:  
FSYNC(in)  
SCK(in)  
SDATA(in)  
FORMAT 3:  
(RESERVED)  
FORMAT 4:  
FSYNC(in)  
LEFT  
RIGHT  
SCK(in)  
SDATA(in)  
FORMAT 5:  
MSB  
LSB  
MSB  
LSB  
MSB  
FSYNC(in)  
LEFT  
RIGHT  
SCK(in)  
SDATA(in)  
LSB  
LSB  
MSB  
MSB  
LSB  
LSB  
MSB  
MSB  
LSB  
16 Bits  
16 Bits  
FORMAT 6:  
FSYNC(in)  
SCK(in)  
LEFT  
RIGHT  
MSB  
SDATA(in)  
MSB  
LSB  
18 Bits  
18 Bits  
FORMAT 7:  
FSYNC(in)  
SCK(in)  
LEFT  
RIGHT  
LSB  
SDATA(in)  
LSB  
MSB  
D97AU604  
C, U, V Serial Port  
The serial input pins for channel status (C), user (U), and validity (V) are sampled during the first bit period  
after the active edge of FSYNC for all formats except Format 4. Format 4 is sampled during the second  
bit period (coincident with the MSB). In Figure 3, the arrows on SCK indicate when the C, U, and V bits  
are sampled. The C, U, and V bits are transmitted with the audio sample entered before FSYNC edge that  
sampled it. The V bit, as defined in the audio standards, is set to zero to indicate the audio data is suitable  
for conversion to analog. Therefore, when the audio data is errored, or the data is not audio, the V bit  
should be set high. The channel status serial input pin (C) is not available in consumer mode when the  
CD subcode port is enabled (FC1 = FC0 = high). Any channel status data entered through the channel  
status serial input (C) is logically OR’ed with the data entered through the dedicated pins or internally gen-  
erated.  
7/14  
STA020  
RST and CBL (TRNPT is low)  
When RST goes low, the differential line drivers are set to ground. In order to properly synchronize the  
ST020 to the audio serial port, the transmit timing counters, which include CBL, are not enabled after RST  
goes high until eight and one half SCK periods after reset is exited) of FSYNC. When FSYNC is configured  
as a left/right signal (all defined formats except 2), the counters and CBL are not enabled until the right  
sample is being transmitted). This guarantees that channel A is left and channel B is right as per the digital  
audio interface specs.  
As shown in Figure 4, channel block start output (CBL), can assist in serially inputting the C, U and V bits  
as CBL goes high one bit period before the first bit of the preamble of the first sub-frame of the channel  
status block is transmitted. This sub-frame contains channel status byte 0, bit 0. CBL returns low one bit  
period before the start of the frame that contains bit 0 of channel status byte 16. CBL is not available when  
the CD subcode port is enabled.  
Figure 4 illustrates timing for stereo data input on the audio port. Notice how CBL rises while the right  
channel data (Right 0) is input, but the previous left channel (Left 0) is being transmitted as the first sub-  
frame of the channel status block (starting with preamble Z). The C, U, and V input ports only need to be  
valid for a short period after FSYNC changes. A sub-frame includes one audio sample while a frame in-  
cludes a stereo pair. A channel status (C.S.) block contains 24 bytes of channel status and 384 audio sam-  
ples (or 192 stereo pairs, or frames, of samples). Figure 4 shows the CUV ports as having left and right  
bits (e.g. CUV0L, CUV0R). Since the C.S. block is defined as 192 bits, or one bit per frame, there are ac-  
tually 2 C.S. blocks, one for channel A (left) and one for channel B (right). When inputting stereo audio  
data, both blocks normally contain the same information, so C0L and C0R from the input port pin are both  
channel status bit 0 of byte 0, which is defined as professional/consumer. These first two bits from the  
port, C0L and C0R, are logically OR’ed with the inverse PRO, since PRO is a dedicated channel status  
pin defined as C.S. bit 0.  
Also, if in professional mode, C1, C6, C7 and C9 are dedicated C.S. pins. The inverse of C1 is logically  
OR’ed with channel status input ports bits C1L and C1R. In similar fashion, C6, C7 and C9 are OR’ed with  
their respective input bits. Also, the C bits in CUV128L and CUV128R are both channel status block bit  
128, which is bit 0 of channel status byte 16.  
Figure 4. CBL and Transmitter Timing.  
TRNPT high  
CBL  
TRNPT low  
LEFT 0  
RIGHT 0  
LEFT 1  
LEFT 128  
RIGHT 128  
LEFT 0  
RIGHT 0  
SDATA  
FSYNC  
C BITS FROM CPIN  
CUV0R  
CUV0L  
CUV1L  
CUV0R  
CUV1R  
CUV1L  
CUV128R  
CUV128L  
CUV0L  
CUV0R  
CUV0L  
TRNPT high  
C,U,V  
TRNPT low  
CUV191R  
CUV0L  
CUV191R  
C BITS OR'ed  
w/PRO pin  
C BITS OR'ed  
w/C1 pin  
BITS 0 of C.S.  
BLOCK BYTE 16  
TXP  
TXN  
LEFT  
RIGHT  
128  
RIGHT 191  
VUCP191R  
LEFT 0  
RIGHT 0  
128  
Preamble Y  
VUCP0L  
Preamble Z  
VUCP0R  
Preamble Y  
VUCP128L  
VUCP127R Preamble X Preamble Y  
bit  
0
3
4
7 8  
27 28 29 30 31  
Preamble Z Aux Data LSB  
Left 0 - Audio Data  
SUB-FRAME  
MSB V0 U0 C0 P0  
D99AU990  
8/14  
STA020  
Transparent Mode  
In certain applications it is desirable to receive digital audio data with the STA120 and retransmit it with  
the STA020D. In this case, channel status, user and validity information must pass through unaltered. For  
studio environments, AES recommends that signal timing synchronization be maintained throughout the  
studio. Frame synchronization of digital audio signals input to and output from a piece of equipment must  
be within 5%.  
The transparent mode of the STA020D is selected by setting TRNPT, pin 24, high. In this mode, the CBL  
pin becomes an input, allowing direct connection of the outputs of the STA120 to the inputs of the  
STA020D as shown in Figure 18. The transmitter and receiver are synchronized by the FSYNC signal.  
CBL specifies the start of a new channel status block boundry, allowing the transmit block structure to be  
slaved to the block structure of the receiver.  
In the transparent mode, C, U and V are now transmitted with the current audio sample as shown in Figure  
5 (TRNPT high) and the dedicated channel status pins are ignored.  
When FSYNC is a word clock (Format 2), CBL is sampled when left C, U, V are sampled. When FSYNC  
is Left/Right, CBL is sampled when left C, U, V are sampled. The channel status block boundry is reset  
when CBL transitions from low to high (based on two successive samples of CBL). MCK for the STA020D  
is normally expected to be 128 times the sample frequency, in the trasparent mode MCK must be 256 Fs.  
Professional Mode  
Setting PRO low places the STA020D in professional mode as shown in Figure 6. In professional mode,  
channel status bit 0 is transmitted as a one and bits 1, 2, 3, 4, 6, 7 and 9 can be controlled via dedicated  
pins. The pins are actually the inverse of the identified bit.  
For example, tying the C1 pin low places a one in channel status bit 1. As shown in the application Note,  
Overview of AES/EBU Digital Audio Interface Data Structures, C1 indicates audio/non-audio; C6 and C7  
determine the sample frequency and C9 allows the encoded channel mode to be stereophonic. EM1 and  
EM0 determine emphasis and encode C2, C3, C4 as shown in Table 2. The dedicated channel status pins  
are read at the appropriate time and are logically OR’ed with data input on the channel status port, C. In  
Transparent Mode, these dedicated channel status pins are ignored and channel status bits are input at  
the C pin.  
Consumer Mode  
Setting PRO high places the STA020D in consumer mode which redefines the pins as shown in Figure 7.  
In consumer mode, channel status bit 0 is transmitted as a zero and channel status bits 2, 3, 8, 9, 15, 24  
and 25 are controlled via dedicated pins.  
The pins are actually the inverse of the bit so if pin C2 is tied high, channel status bit 2 will be transmitted  
as a zero. Also, FC0 and FC1 are encoded versions of channel status bits 24 and 25, which define the  
sample frequency.  
When FC0 and FC1 are both high, the part is placed in a CD submode which activates the CD subcode  
port. This submode is described in detail in the next section. Table 3 describes the encoding of C24 and  
C25 through the FC1 and FC0 pins. According to AES/EBU standards, C2 is copy prohibit/permit. C3  
specifies pre-emphasis, C8 and C9 define the category code and C15 identifies the generation status of  
the transmitted material (i.e. first generation, second generation).  
Table 2. Emphasis Encoding  
EM1  
EM0  
C2  
1
C3  
1
C4  
1
0
0
1
1
0
1
0
1
1
1
0
1
0
0
0
0
0
9/14  
STA020  
Table 3. Sample Frequency Encoding  
FC1  
FC0  
0
C24  
0
C25  
0
Comments  
0
0
1
1
44.1kHz  
48kHz  
32kHz  
1
0
1
0
1
1
1
0
0
44.1kHz, CD Mode  
Figure 5. Transparent Mode Interface.  
V+  
MCK  
CBL  
TRNPT  
TXP  
C
RXP  
U
V
FSYNC  
RXN  
SCK  
SDATA  
TXN  
STA120  
STA020  
DATA  
PROCESSING  
D97AU605  
Figure 6. Block Diagram - Professional Mode  
M0  
M1  
M2  
23  
22  
21  
8
6
7
SDATA  
SCK  
AUDIO  
AUX  
SERIAL  
PORT  
LOGIC  
FSYNC  
20  
17  
TXP  
TXN  
BIPHASE  
MARK  
ENCODER  
C Bits  
LINE  
DRIVER  
CRC  
U Bits  
10  
11  
9
MUX  
C
U
V
REGISTERS  
16  
VALIDITY  
PREAMBLE  
PARITY  
TIMING  
RST  
MUX  
24  
2
14  
13  
3
4
1
12  
15  
5
TRNPT  
D97AU607B  
PRO  
EM0 EM1 C1 C6 C7 C9  
CBL MCK  
10/14  
STA020  
Figure 7. Block Diagram - Consumer Mode  
M0  
M1  
M2  
23  
22  
21  
8
6
7
SDATA  
SCK  
AUDIO  
AUX  
SERIAL  
PORT  
LOGIC  
20  
FSYNC  
TXP  
BIPHASE  
MARK  
ENCODER  
LINE  
DRIVER  
TXN  
17  
C Bits  
10  
11  
9
C
U
V
MUX  
U Bits  
VALIDITY  
PREAMBLE  
PARITY  
REGISTERS  
16  
TIMING  
RST  
MUX  
2
3
24  
4
1
13  
14  
12  
15  
5
D97AU606A  
PRO  
FC0 FC1 C2 C3 C8 C9 C15  
CBL MCK  
+3.3V  
11/14  
STA020  
mm  
MIN. TYP. MAX. MIN.  
inch  
DIM.  
OUTLINE AND  
MECHANICAL DATA  
TYP. MAX.  
0.104  
A
A1  
B
2.35  
0.10  
0.33  
0.23  
15.20  
2.65 0.093  
0.30 0.004  
0.51 0.013  
0.32 0.009  
15.60 0.598  
0.012  
0.200  
Weight: 0.60gr  
C
0.013  
(1)  
0.614  
D
E
e
7.40  
7.60 0.291  
0.299  
0.050  
1.27  
H
10.0  
0.25  
0.40  
10.65 0.394  
0.75 0.010  
1.27 0.016  
0˚ (min.), 8˚ (max.)  
0.10  
0.419  
h
0.030  
L
0.050  
k
ddd  
0.004  
SO24  
(1) “D” dimension does not include mold flash, protusions or gate  
burrs. Mold flash, protusions or gate burrs shall not exceed  
0.15mm per side.  
0070769 C  
12/14  
STA020  
REVISION HISTORY  
Date  
Revision  
Changes  
Technical Migration from ST-PRESS to EDOCS  
Major revision for revalidation process  
14-Oct-2002  
26-Apr-2010  
5
6
13/14  
STA020  
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14/14  

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