STA020D [STMICROELECTRONICS]

96kHz DIGITAL AUDIO INTERFACE TRANSMITTER; 96kHz的数字音频接口发射器
STA020D
型号: STA020D
厂家: ST    ST
描述:

96kHz DIGITAL AUDIO INTERFACE TRANSMITTER
96kHz的数字音频接口发射器

文件: 总12页 (文件大小:97K)
中文:  中文翻译
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STA020  
96kHz DIGITAL AUDIO INTERFACE TRANSMITTER  
PRODUCT PREVIEW  
MONOLITHIC DIGITAL AUDIO INTERFACE  
TRANSMITTER  
3.3V SUPPLY VOLTAGE  
SUPPORTS:  
- AES/EBU,IEC 958,  
- S/PDIF, & EIAJ CP-340  
- Professional and Consumer Formats  
PARITY BITS AND CRC CODES GENERATED  
TRANSPARENT MODE ALLOWS DIRECT  
CONNECTION OF STA020 AND STA120  
SDIP24  
SO24  
ORDERING NUMBERS:  
DESCRIPTION  
STA020  
STA020D  
The STA020 is a monolithic CMOS device which  
encodes and transmits audio data according to  
the AES/EBU, IEC 958, S/PDIF, & EIAJ CP-340  
interface standards. It supports 96kHz sample  
rate operation  
The STA020 accepts audio and digital data which  
is then multiplexed, encoded and driven onto a  
cable.  
pable of supportinga wide variety of formats.  
The STA020 multiplexes the channel, user, and  
validity data directly from serial input pins with  
dedicated input pins for the most important chan-  
nel statusbits.  
The audio serial port is double buffered and ca-  
BLOCK DIAGRAM  
M0  
M1  
M2  
VD+  
19  
GND  
18  
MCK  
RST  
16  
23  
22  
21  
5
6
7
8
SCK  
FSYNC  
SDATA  
AUDIO  
SERIAL PORT  
REGISTERS  
20  
17  
TXP  
TXN  
MUX  
DIFFERENTIAL  
10  
11  
9
C
U
V
7
15  
24  
TRNPT  
D97AU599A  
DEDICATED CHANNEL CBL  
STATUS BUS  
October 1999  
1/12  
This is preliminary information on a new product now in development. Details are subject to change without notice.  
STA020  
ABSOLUTE MAXIMUM RATINGS  
Symbol  
Parameter  
Value  
4
Unit  
V
VD+  
VIND  
Tamb  
Tstg  
DC Power Supply  
Digital Input Voltage  
-0.3 to VD+ 0.3  
-20 to +85  
-40 to 150  
V
Ambient Operating Temperature (power applied)  
Storage Temperature  
°C  
°C  
RECOMMNDED OPERATING CONDITIONS (GND = 0V; all voltageswith respect to ground)  
Symbol  
VD+  
Parameter  
DC Voltage  
Ambient Operating Temp.  
Test Condition  
Min.  
Typ.  
3.3  
Max.  
3.6  
Unit  
V
3
0
Tamb  
25  
70  
°C  
PIN CONNECTION  
C7/C3  
PRO  
1
24  
23  
22  
21  
20  
19  
18  
17  
16  
15  
14  
13  
TRNPT/FC1  
2
M0  
C1/FC0  
C6/C2  
MCK  
3
M1  
4
M2  
5
TXP  
SCK  
6
VD+  
FSYNC  
SDATA  
V
7
GND  
TXN  
8
9
RST  
C/SBF  
U
10  
11  
12  
CBL/SBC  
EM0/C9  
EM1/C8  
C9/C15  
D97AU608A  
PINS DESCRIPTION  
N.  
Name  
Function  
Power Supply Connections  
18  
19  
GND  
VD+  
Ground.  
Positive Digital Power. Nominally +3.3V.  
Audio Input Interface  
6
SCK  
Serial Clock.  
Serial clock for SDATA pin which can be configured (via the M0, M1 and M2 pins) as an input  
or output and can sample data on the rising or falling edge.As an output, SCK will contain 32  
clocks for every audio sample.  
7
FSYNC  
Frame Sync.  
Delineates the serial data and may indicate the particular channel, left or right and may be an  
input or output. The format is based on M0, M1 and M2 pins.  
2/12  
STA020  
PINS DESCRIPTION (continued)  
N.  
Name  
Function  
8
SDATA  
Serial Data.  
Audio data serial input pin.  
21,  
22,23  
M0, M1, M2 Serial Port Mode Select.  
Selects the format of FSYNC and the sample edge of SCK with respect to SDATA.  
Control Pins  
1
C7/C3  
Channel Status Bit 7/Channel Status Bit 3.  
In professional mode, C7 is the inverse of channel status bit 7. In consumer mode, C3 is the  
inverse of channel status bit 3, C7/C3 are ignored in Transparent Mode.  
2
PRO  
Professional/Consumer Select.  
Selects between professional mode (PRO low) and consumer mode (PRO high). This pin  
defines the functionality of the channel status parallel pins. PRO is ignored in Transparent  
Mode.  
3
C1/FC0  
Channel Status Bit 1/Frequency Control 0.  
In professional mode, C1 is the inverse of channel status bit 1. In consumer mode, FC0 and  
FC1 are encoded versions of channel status bits 24 and 25 (bits 0 and 1 of byte 3). When  
FC0 and FC1 are both high, CD mode is selected. C1/FC0 are ignored in Transparent Mode.  
4
9
C6/C2  
V
Channel Status Bit 6/Channel Status Bit 2.  
In professional mode, C6 is the inverse of channel status bit 6. In consumer mode, C2 is the  
inverse of channel status bit 2. C6/C2 are ignored in Transparent Mode.  
Validity.  
Validity bit serial input port. This bit is defined as per the digital audio standards wherein V = 0  
signifies the audio signal is suitable for conversion to analog. V = 1 signifies the audio signal is  
not suitable for conversion to analog, i.e. invalid.  
10  
C/SBF  
Channel Status Serial Input/Subcode Frame Clock.  
In professional and consumer modes this pin is the channel status serial input port. In CD  
mode this pin inputs the CD subcode frame clock.  
11  
12  
U
User Bit.  
User bit serial input port.  
C9/C15  
Channel Status Bit 9/Channel Status Bit 15.  
In professional mode, C9 is the inverse of channel status bit 9 (bit 1 of byte 1). In consumer  
mode, C15 is the inverse of channel status bit 15 (bit 7 of byte 1). C9/C15 are ignored in  
Transparent Mode.  
13  
14  
15  
EM1/C8  
EM0/C9  
Emphasis 1/Channel Status Bit 8.  
In professional mode, EM0 and EM1 encode channel status bits 2, 3 and 4. In consumer  
mode, C8 is the inverse of channel status bit 8 (bit 0 of byte 1). EM1/C8 are ignored in  
Transparent Mode.  
Emphasis 0/Channel Status Bit 9.  
In professional mode, EM0 and EM1 encode channel status bits 2, 3 and 4. In consumer  
mode, C9 is the inverse of channel status bit 9 (bit 1 of byte 1). EM0/C9 are ignored in  
Transparent Mode.  
CBL/SBC  
RST  
Channel Status Block Output/Subcode Bit Clock.  
In professional and consumer modes, the channel status block output is high for the first 15  
bytes of channel status. In CD mode, this pin outputs the subcode bitclock.  
16  
24  
Master Reset.  
When low, all internal counters are reset.  
TRNPT/FC1 Transparent Mode/Frequency Control 1.  
In professional mode, setting TRNPT low selects normal operation & CBL is an output. Setting  
TRNPT high, allows the STA020 to be connected directly to an STA120. In transparent mode,  
CBL is an input & MCK must be at 256 Fs. In consumer mode, FC0 and FC1 are encoded  
versions of channel status bits 24 and 25. When FC0 and FC1 are both high, CD mode is  
selected.  
Transmitter Interface  
5
MCK  
Master Clock. Clock input at 128x the sample frequency which defines the transmit timing. In  
trasparent mode MCK must be 256 Fs.  
20, 17 TXP, TXN  
Differential Line Drivers.  
3/12  
STA020  
DIGITAL CHARACTERISTICS (Tamb = 25°C; VD+ = 3.3V ±10%)  
Symbol  
VIH  
Parameter  
Test Condition  
Min.  
2.0  
Typ.  
Max.  
VDD+0.3  
+0.8  
Unit  
V
High-Level Input Voltage  
Low-Level Input Voltage  
High-Level Output Voltage  
Low-Level Output Voltage  
Input Leakage Current  
Master Clock frequency  
Master Clock Duty Cycle  
VIL  
-0.3  
V
VOH  
VOL  
Iin  
IO = 200µA  
VDD-1.0  
V
IO = 3.2mA  
0.4  
10  
26  
60  
V
1.0  
µA  
MHz  
%
MCK  
(Note 1)  
(high time/cycle time)  
40  
Note 1: MCK must be 128x the input word rate, except in Transparent Mode where MCK is 256x the input word rate.  
Figure 1. STA020 Professional & Consumer Modes Typical Connection Diagram.  
EXTERNAL  
CLOCK  
+3.3V  
MCK  
VD+  
0.1µF  
FSYNC  
SCK  
GND  
5
19  
7
6
8
18  
24  
TRNPT  
AUDIO  
DATA  
PROCESSOR  
SDATA  
M0  
M1  
M2  
23  
22  
21  
CBL  
C
SERIAL PORT  
MODE SELECT  
15  
10  
11  
9
STA020  
µCONTROLLER  
or  
U
V
UNUSED  
TXP  
TXN  
20  
17  
RST  
16  
TRANSMITTER  
CIRCUIT  
CHANNEL  
STATUS BITS  
CONTROL  
8 DEDICATED C.S. BITS  
D97AU600A  
Figure 2. STA020 Typical Connection Diagram.  
EXTERNAL  
CLOCK  
+5V  
MCK  
VD+  
18  
0.1µF  
FSYNC  
SCK  
7
6
8
GND  
5
19  
AUDIO  
DATA  
PROCESSOR  
SDATA  
V
SBF  
U
M0  
M1  
M2  
9
23  
22  
21  
SERIAL PORT  
MODE SELECT  
DECODER  
SUBCODE  
PORT  
10  
11  
15  
SBC  
STA020  
TXP  
TXN  
20  
17  
RST  
RESET  
CONTROL  
16  
TRANSMITTER  
CIRCUIT  
See Appendix B  
CHANNEL  
STATUS BITS  
CONTROL  
8 DEDICATED C.S. BITS  
D99AU989A  
4/12  
STA020  
GENERAL DESCRIPTION  
Audio Serial Port  
The STA020 is a monolithic CMOS circuit that en-  
codes and transmits audio and digital data ac-  
cording to the AES/EBU, IEC 958, S/PDIF, and  
EIAJ CP-340 interface standards. The chip ac-  
cepts audio and control data separately; multiplex  
and biphase-mark encode the data internally and  
drive it, directly or through a transformer, to a  
transmission line.  
The audio serial port is used to enter audio data  
and consists of three pins: SCK, SDATA and  
FSYNC, SCK clocks in SDATA, which is double  
buffered, while FSYNC delineates the audio sam-  
ples and may indicate the particular channel, left  
or right. To support many differentinterfaces, M2,  
M1 and M0 select one of seven different formats  
for the serial port. The coding is shown in Table 3  
while the formats are shown in Figure 3.  
Format 0 and 1 are designed to interface with  
Crystal ADCs. Format 2 communicates with Mo-  
torola and TI DSPs. Format 3 is reserved. Format  
4 is compatible with the I2S standard. Formats 5  
and 6 make the STA020 look similar to existing  
16- and 18-bit DACs and interpolationfilters. For-  
mat 7 is an MSB-last format and is conducive to  
serial arithmetic. SCK and FSYNC are outputs in  
Format 0 and inputs in all other formats. In For-  
mat 2, the rising edge of FSYNC delineates sam-  
ples and the falling edge must occur a minimum  
of one bit period before or after the rising edge.  
The STA020 has dedicated pins for the most im-  
portant control bits and a serial input port for the  
C, U and V bits.  
Line Drivers  
The differential line drivers for STA020 are low  
skew, low impedance,differential outputs capable  
of driving 110Ohm transmission lines. (RS422  
line driver compatible).  
They can also be disabled by resetting the device  
(RST = low).  
In all formats except 2, FSYNC contains left/right  
information requiring both edges of FSYNC to de-  
lineate samples. Formats 5 and 6 require a mini-  
mum of 16- or 18-bit audio words respectively. In  
all formats other than 5 and 6, the STA020 can  
accept any word length from 16 to 24 bits by add-  
ing leading zeros in format 7 and trailing zeros in  
the other formats, or by restricting the number of  
SCK periods between active edges of FSYNC to  
the sample word length.  
FSYNC must be derived from MCK, either  
through a DSP using the same clock or using  
counters. If SFYNC moves (jitters) with respect to  
MCK by four MCK periods, the internal counters  
and CBLmay be reset.  
STA020 DESCRIPTION  
The STA020 accepts 16 to 24-bit audio samples  
through a serial port configured in one of seven  
formats; provides several pins dedicated to par-  
ticular channel status bits and allows all channel  
status, user and validity bits to be serially input  
through port pins. This data is multiplexed, the  
parity bit is generated and the bit stream is  
biphase-mark encoded and driven through an  
RS422 line driver.  
The STA020 operates as a professional or con-  
sumer interface transmitter selectable by pin 2,  
PRO. As a professional interface device, the  
dedicated channel status input pins are defined  
according to the professional standard, and the  
CRC code (C.S. byte 23) can be internally gener-  
ated.  
Table 1. Audio Port Modes  
As a consumer device, the dedicated channel  
status input pins are defined according to the  
consumer standard. A submode provided under  
the consumer mode is compact disk, CD, mode.  
When transmitting data from a compact disk, the  
CD subcode port can accept CD subcode data,  
extract channel status information from it, and  
transmit it as user data.  
The master clock , MCK, controls timing for the  
entire chip and must be 128xFs. As an example,  
if stereo data is input to the STA020 at 44.1kHz,  
MCK input must be 128 times that or 5.6448MHz.  
M2  
0
M1  
0
M0  
0
Format  
0 - FSYNC & SCK Output  
1 - Left/Right, 16-24 Bits  
2 - Word Sync, 16-24 Bits  
3 - Reserved  
4 - Left/Right, I2S Compatible  
5 - LSB Justified, 16 Bits  
6 - LSB Justified, 18 Bits  
7 - MSB Last, 16-24 Bits  
0
0
1
0
1
0
0
1
1
1
0
0
1
0
1
1
1
0
1
1
1
5/12  
STA020  
Figure 3. Audio Serial Port Formats.  
FORMAT 0:  
FSYNC(out)  
LEFT  
LEFT  
LEFT  
RIGHT  
RIGHT  
RIGHT  
SCK(out)  
SDATA(in)  
FORMAT 1:  
MSB  
MSB  
MSB  
LSB  
LSB  
LSB  
MSB  
MSB  
MSB  
LSB  
LSB  
LSB  
MSB  
MSB  
MSB  
FSYNC(in)  
SCK(in)  
SDATA(in)  
FORMAT 2:  
FSYNC(in)  
SCK(in)  
SDATA(in)  
FORMAT 3:  
(RESERVED)  
FORMAT 4:  
FSYNC(in)  
LEFT  
RIGHT  
SCK(in)  
SDATA(in)  
FORMAT 5:  
MSB  
LSB  
MSB  
LSB  
MSB  
FSYNC(in)  
LEFT  
RIGHT  
SCK(in)  
SDATA(in)  
LSB  
LSB  
MSB  
MSB  
LSB  
LSB  
MSB  
MSB  
LSB  
16 Bits  
16 Bits  
FORMAT 6:  
FSYNC(in)  
LEFT  
RIGHT  
MSB  
SCK(in)  
SDATA(in)  
MSB  
LSB  
18 Bits  
18 Bits  
FORMAT 7:  
FSYNC(in)  
LEFT  
RIGHT  
SCK(in)  
SDATA(in)  
LSB  
LSB  
MSB  
D97AU604  
zero to indicate the audio data is suitable for con-  
version to analog. Therefore, when the audio  
data is errored, or the data is not audio, the V bit  
should be set high. The channel status serial in-  
put pin (C) is not available in consumer mode  
when the CD subcode port is enabled (FC1 =  
FC0 = high). Any channel status data entered  
through the channel status serial input (C) is logi-  
cally OR’ed with the data entered through the  
dedicated pins or internally generated.  
C, U, V Serial Port  
The serial input pins for channel status (C), user  
(U), and validity (V) are sampled during the first  
bit period after the active edge of FSYNC for all  
formats except Format 4. Format 4 is sampled  
during the second bit period (coincident with the  
MSB). In Figure 3, the arrows on SCK indicate  
when the C, U, and V bits are sampled. The C, U,  
and V bits are transmitted with the audio sample  
entered before FSYNC edge that sampled it. The  
V bit, as defined in the audio standards, is set to  
6/12  
STA020  
(starting with preamble Z). The C, U, and V input  
ports only need to be valid for a short period after  
FSYNC changes. A sub-frame includes one  
audio sample while a frame includes a stereo  
pair. A channel status (C.S.) block contains 24  
bytes of channel status and 384 audio samples  
(or 192 stereo pairs, or frames, of samples).  
RST and CBL (TRNPT is low)  
When RST goes low, the differential line drivers  
are set to ground. In order to properly synchro-  
nize the ST020 to the audio serial port, the trans-  
mit timing counters, which include CBL, are not  
enabled after RST goes high until eight and one  
half SCK periods after reset is exited) of FSYNC.  
When FSYNC is configured as a left/right signal  
(all defined formats except 2), the counters and  
CBL are not enabled until the right sample is be-  
ing transmitted). This guarantees that channel A  
is left and channel B is right as per the digital  
audio interface specs.  
Figure 4 shows the CUV ports as having left and  
right bits (e.g. CUV0L, CUV0R). Since the C.S.  
block is defined as 192 bits, or one bit per frame,  
there are actually 2 C.S. blocks, one for channel  
A (left) and one for channel B (right). When input-  
ting stereo audio data, both blocks normally con-  
tain the same information, so C0L and C0R from  
the input port pin are both channel status bit 0 of  
byte 0, which is defined as professional/con-  
sumer. These first two bits from the port, C0L and  
C0R, are logically OR’ed with the inverse PRO,  
since PRO is a dedicated channel status pin de-  
fined as C.S. bit 0.  
As shown in Figure 4, channel block start output  
(CBL), can assist in serially inputtingthe C, U and  
V bits as CBL goes high one bit period before the  
first bit of the preamble of the first sub-frame of  
the channel status block is transmitted. This sub-  
frame contains channel status byte 0, bit 0. CBL  
returns low one bit period before the start of the  
frame that contains bit 0 of channel status byte  
16. CBL is not available when the CD subcode  
port is enabled.  
Figure 4 illustrates timing for stereo data input on  
the audio port. Notice how CBL rises while the  
right channel data (Right 0) is input, but the pre-  
vious left channel (Left 0) is being transmitted as  
the first sub-frame of the channel status block  
Also, if in professional mode, C1, C6, C7 and C9  
are dedicatedC.S. pins. The inverse of C1 is logi-  
cally OR’ed with channel status input ports bits  
C1L and C1R. In similar fashion, C6, C7 and C9  
are OR’ed with their respective input bits. Also,  
the C bits in CUV128L and CUV128R are both  
channel status block bit 128, which is bit 0 of  
channel status byte 16.  
Figure 4. CBL and Transmitter Timing.  
TRNPT high  
CBL  
TRNPT low  
LEFT 0  
RIGHT 0  
LEFT 1  
LEFT 128  
RIGHT 128  
LEFT 0  
RIGHT 0  
SDATA  
FSYNC  
C BITS FROM CPIN  
CUV0R  
CUV0L  
CUV1L  
CUV0R  
CUV1R  
CUV1L  
CUV128R  
CUV128L  
CUV0L  
CUV0R  
CUV0L  
TRNPT high  
C,U,V  
TRNPT low  
CUV191R  
CUV0L  
CUV191R  
C BITS OR’ed  
w/PRO pin  
C BITS OR’ed  
w/C1 pin  
BITS 0 of C.S.  
BLOCK BYTE 16  
TXP  
TXN  
LEFT  
RIGHT  
128  
RIGHT 191  
VUCP191R  
LEFT 0  
RIGHT 0  
128  
Preamble Y  
VUCP0L  
Preamble Z  
VUCP0R  
Preamble Y  
VUCP128L  
VUCP127R Preamble X Preamble Y  
bit  
0
3
4
7 8  
27 28 29 30 31  
Preamble Z Aux Data LSB  
Left 0 - Audio Data  
SUB-FRAME  
MSB V0 U0 C0 P0  
D99AU990  
7/12  
STA020  
are input at the C pin.  
Transparent Mode  
In certain applications it is desirable to receive digi-  
tal audio data with the STA120 and retransmit it  
with the STA020. In this case, channelstatus, user  
and validity information must pass through unal-  
tered. For studio environments, AES recommends  
that signal timing synchronization be maintained  
throughout the studio. Frame synchronization of  
digital audio signals input to and output from a  
pieceof equipmentmust be within +/-5%.  
The transparent mode of the STA020 is selected  
by setting TRNPT, pin 24, high. In this mode, the  
CBL pin becomes an input, allowing direct con-  
nection of the outputs of the STA120 to the inputs  
of the STA020 as shown in Figure 18. The trans-  
mitter and receiver are synchronized by the  
FSYNC signal. CBL specifies the start of a new  
channel status block boundry, allowing the trans-  
mit block structure to be slaved to the block struc-  
ture of the receiver.  
Consumer Mode  
Setting PRO high places the STA020 in consumer  
mode which redefines the pins as shown in Figure  
7. In consumer mode, channel statusbit 0 is trans-  
mitted as a zero and channel status bits 2, 3, 8, 9,  
15, 24 and 25 are controlledvia dedicatedpins.  
The pins are actually the inverse of the bit so if  
pin C2 is tied high, channel status bit 2 will be  
transmitted as a zero. Also, FC0 and FC1 are en-  
coded versions of channel status bits 24 and 25,  
which define the sample frequency.  
When FC0 and FC1 are both high, the part is  
placed in a CD submode which activates the CD  
subcode port. This submode is described in detail  
in the next section. Table 3 describes the encod-  
ing of C24 and C25 through the FC1 and FC0  
pins. According to AES/EBU standards, C2 is  
copy prohibit/permit. C3 specifies pre-emphasis,  
C8 and C9 define the category code and C15  
identifies the generation status of the transmitted  
material (i.e. first generation, second generation).  
In the transparent mode, C, U and V are now  
transmitted with the current audio sample as  
shown in Figure 5 (TRNPT high) and the dedi-  
cated channel status pins are ignored.  
When FSYNC is a word clock (Format 2), CBL is  
sampled when left C, U, V are sampled. When  
FSYNC is Left/Right, CBL is sampled when left  
C, U, V are sampled. The channel status block  
boundry is reset when CBL transitions from low to  
high (based on two successive samples of CBL).  
MCK for the STA020 is normally expected to be  
128 times the sample frequency, in the trasparent  
mode MCK must be 256 Fs.  
Table 2. Emphasis Encoding  
EM1  
EM0  
C2  
1
C3  
1
C4  
1
0
0
1
1
0
1
0
1
1
1
0
1
0
0
0
0
0
Table 3. Sample Frequency Encoding  
Professional Mode  
FC1  
FC0  
C24  
0
C25  
0
Comments  
44.1kHz  
Setting PRO low places the STA020 in profes-  
sional mode as shown in Figure 6. In professional  
mode, channel status bit 0 is transmitted as a one  
and bits 1, 2, 3, 4, 6, 7 and 9 can be controlled  
via dedicated pins. The pins are actually the in-  
verse of the identifiedbit.  
0
0
1
1
0
1
0
1
0
1
48kHz  
32kHz  
1
1
0
0
44.1kHz, CD Mode  
For example, tying the C1 pin low places a one in  
channel status bit 1. As shown in the application  
Note, Overview of AES/EBU Digital Audio Inter-  
face Data Structures, C1 indicates audio/non-  
audio; C6 and C7 determine the sample fre-  
quency and C9 allows the encoded channel  
mode to be stereophonic. EM1 and EM0 deter-  
mine emphasis and encode C2, C3, C4 as shown  
in Table 2. Thededicated channel status pins are  
read at the appropriate time and are logically  
OR’ed with datainput on thechannelstatusport, C.  
Figure 5. TransparentMode Interface.  
V+  
MCK  
CBL  
TRNPT  
TXP  
C
RXP  
RXN  
U
V
FSYNC  
SCK  
SDATA  
TXN  
In Transparent Mode, these dedicated channel  
status pins are ignored and channel status bits  
STA120  
STA020  
DATA  
PROCESSING  
D97AU605  
8/12  
STA020  
Figure 6. Block Diagram - Professional Mode  
M0  
M1  
M2  
23  
22  
21  
8
6
7
SDATA  
SCK  
AUDIO  
AUX  
SERIAL  
PORT  
LOGIC  
FSYNC  
20  
TXP  
TXN  
BIPHASE  
MARK  
ENCODER  
C Bits  
LINE  
DRIVER  
17  
16  
CRC  
U Bits  
10  
11  
9
MUX  
C
U
V
REGISTERS  
VALIDITY  
PREAMBLE  
PARITY  
TIMING  
RST  
MUX  
24  
2
14  
13  
3
4
1
12  
15  
5
TRNPT  
D97AU607B  
PRO  
EM0 EM1 C1 C6 C7 C9  
CBL MCK  
Figure 7. Block Diagram - Consumer Mode  
M0  
M1  
M2  
23  
22  
21  
8
6
7
SDATA  
SCK  
AUDIO  
AUX  
SERIAL  
PORT  
LOGIC  
20  
FSYNC  
TXP  
TXN  
BIPHASE  
MARK  
ENCODER  
LINE  
DRIVER  
C Bits  
17  
16  
10  
11  
9
C
U
V
MUX  
U Bits  
VALIDITY  
PREAMBLE  
PARITY  
REGISTERS  
TIMING  
RST  
MUX  
2
3
24  
4
1
13  
14 12  
15  
5
D97AU606A  
PRO  
FC0 FC1 C2 C3 C8 C9 C15  
CBL MCK  
+3.3V  
9/12  
STA020  
mm  
inch  
OUTLINE AND  
MECHANICAL DATA  
DIM.  
MIN. TYP. MAX. MIN. TYP. MAX.  
A
A1  
A2  
B
2.35  
0.10  
2.65 0.093  
0.30 0.004  
2.55  
0.104  
0.012  
0.100  
0.0200  
0.013  
0.614  
0.299  
0.33  
0.23  
0.51 0.013  
0.32 0.009  
15.60 0.598  
7.60 0.291  
C
D
E
15.20  
7.40  
e
1.27  
0,050  
H
h
10.0  
0.25  
10.65 0.394  
0.75 0.010  
0.419  
0.030  
k
0° (min.), 8° (max.)  
1.27 0.016  
SO24  
L
0.40  
0.050  
h x 45°  
A1  
K
B
D
e
A1  
C
0.10mm  
.004  
L
H
Seating Plane  
24  
1
13  
12  
SO24  
10/12  
STA020  
mm  
MIN. TYP. MAX. MIN. TYP. MAX.  
5.08 0.20  
inch  
DIM.  
OUTLINE AND  
MECHANICAL DATA  
A
A1  
A2  
B
0.51  
3.05  
0.36  
0.76  
0.23  
0.020  
3.30  
0.46  
1.02  
0.25  
4.57 0.120 0.130 0.180  
0.56 0.0142 0.0181 0.0220  
1.14 0.030 0.040 0.045  
0.38 0.009 0.0098 0.0150  
B1  
c
D
22.61 22.86 23.11 0.890 0.90 0.910  
E
7.62  
6.10  
8.64  
0.30  
0.340  
E1  
e
6.40  
1.778  
7.62  
6.86 0.240 0.252 0.270  
0.070  
0.30  
e1  
e2  
e3  
L
10.92  
1.52  
3.81  
0.430  
0.060  
SDIP24 (0.300”)  
2.54  
3.30  
0.10 0.130 0.150  
E
E1  
Stand-off  
B
B1  
e
e1  
e2  
c
D
E
24  
1
13  
12  
.015  
0,38  
Gage Plane  
e3  
e2  
SDIP24  
11/12  
STA020  
Information furnished is believed to be accurate and reliable. However, STMicroelectronics assumes no responsibility for the consequences  
of use of such information nor for any infringement of patents or other rights of third parties which may result from its use. No license is  
granted by implication or otherwise under any patent or patent rights of STMicroelectronics. Specification mentioned in this publication are  
subject to change without notice. This publication supersedes and replaces all information previously supplied. STMicroelectronics products  
are not authorized for use as critical components in life support devices or systems without express written approval of STMicroelectronics.  
The ST logo is a registered trademark of STMicroelectronics  
1999 STMicroelectronics – Printed in Italy – All Rights Reserved  
STMicroelectronics GROUP OF COMPANIES  
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Singapore - Spain - Sweden - Switzerland - United Kingdom - U.S.A.  
http://www.st.com  
12/12  

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